Another of the areas in which Amalio stood up was the landscapes, in which the light, as well as in his portraits, acquires a great importance.

Amalio had a humanized view of the landscape, and he used to say:

“The symbiosis between the earth and the man who inhabits it, Nature without men, that is, without history, would be reduced, at best, and from my point of view, to a simple aesthetic contemplation”.

Behind the figures of Amalio, there is always a landscape of whitewashed houses from Andalusian villages or from cities such as Granada and Seville to balance and form the painting, as the great Renaissance painters did.